It's a young thinker attempting to describe the world as he sees it. A couple of guys from Lamar's Black Hippy crew- those guys really sound like Souls of Mischief when they get together- show up, but the album isn't a guest-heavy affair. The production, mostly from relative unknowns like THC and Sounwave, is almost uniformly excellent- a spaced-out blur of astral horns and blissed-out Fender Rhodes, with drums that only knock when they need to. Instead, it gives him a chance to chase his muse wherever it runs. Section.80, Lamar's new album, arrives on a wave of blog-based buzz, but beyond a couple of ill-advised choruses, it doesn't make much attempt to present Lamar to major-label A&Rs or to a wider audience. Instead, he's very much within the tradition of 90s groups like Souls of Mischief or the Pharcyde- self-deprecating and insanely talented kids who routinely ripped dizzy, slip-sliding flows over mellow jazz breaks. Lamar does exist within a strong West Coast continuum, but it has nothing to do with Dre.
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